Caroline Dillingham, CEO of Wavelets Entertainment discusses ways screenwriters can write for the Asian market and how to correctly write an Asian protagonist.
Talent Manager Conrad Sun discusses how Asian stories offer producers an overlooked financial opportunity. He explains how a writer can stand out and how one script earned his client over a million dollars and landed future writing jobs.
China-based screenwriter Marc Handler discusses how he writes for a Chinese audience, He suggests working with a Chinese writing partner. He discusses China-bashing and China’s talent management problem.
Writing for a Chinese audience, Marc Handler reveals how he gets jobs in China, Marc is also a...
Cristiano Bortone is the Managing Director of Bridging the Dragon talks about how to deal with Chinese producers with more money than experience and why chasing the market is a bad idea.
Robert Cain, China specialist of Pacific Bridge Pictures talks about the challenges of Chinese Co-Productions and how the Chinese government gets in its own way.
The gold rush mentality of China’s film market has overshadowed the huge potential of China’s TV market. However, with the explosion of Chinese video and streaming sites – Chinese TV could be the next mother lode. So how do you break into China's TV market?