014: Challeges of Chinese Co-Productions

Robert Cain - Chinese CO-Productions

014: Challeges of Chinese Co-Productions

Robert Cain, China specialist of Pacific Bridge Pictures talks about the challenges of Chinese Co-Productions and how the Chinese government gets in its own way. Robert discusses Chinese co-productions and offers advice on how to make your script appeal to the Chinese market. He explains why getting meetings in China is easier than in Hollywood. He is candid in his opinion on China’s now lifelong president (Xi Jinping) and the clampdown on working with foreigners.  Luckily he reminds us that China needs Westerners’ expertise to get Chinese films to cross borders.

3 KEY POINTS

1. Co-productions: Getting Money out of China

Rob said it’s getting trickier to get money out of China. One thing Rob does is advise international firms is how to set up a company in China and find a Chinese partner.  My two cents – get expert advice before you find a Chinese partner.

2. Go to China

Rob mentioned that here in Los Angeles – the film industry tends to be hierarchical. But in China – that’s not necessarily the case. You can call up executives and set up meetings more easily in China than in the U.S.  I found this to be true myself.


3. Chinese Co-Productions: Chinese vs American Screenplays

Rob mentioned a problem he’d like to solve is getting the Chinese film execs to appreciate quality screenplays with empathetic characters, obstacles, and 3 act structures. I wrote a blog post about the difference between Chinese and American screenwriting (see the show notes). But Rob was very clear how he said he didn’t think China was making good movies at all unless occasionally by accident.


Rob compared South Korea’s government and how they loosened up their control of the entertainment business which resulted in globally appealing films, music, and TV.
On the macro side – the government level – there’s nothing you can do. But on an individual level if you want to make a film or do projects for China – they must be designed from the ground up to appeal to a Chinese audience. You can’t shoe-horn an American script – change the names and Locations and expect Chinese producers to be interested.

TAKEAWAYS

1. CO-PRODUCTIONS: WECHAT

Chinese people love WeChat. So, get a WeChat address and put it on your business card. Recently I was at the Hong Kong Filmart and everyone uses WeChat.

2. CO-PRODUCTIONS: CONTACTS

Maintain your database of contacts. I know I’ve met a fantastic amount of Chinese film executives and I’d like to pose a question to the audience. Which CRM (customer relationship management) app do you find the best? I use Insightly but am open to suggestions.

3. CO-PRODUCTIONS: DON’T CHASE THE MARKET:

Rob mentioned this and I’ve heard from several professionals about how Chinese filmmakers chase last week’s blockbuster and try to copy it. If romcoms were dead two years ago but they were hot last week – then let’s shoot a rom-com. Or now – several Chinese producers are rushing to India to grab some magic that films like “Dangal” and “Secret Superstar “.
But if you chase the market – you’re already 2 years behind because it will take that long to get your film on screen. Don’t chase the market. Write what you’re passionate about in your original voice. But to appeal to a Chinese studio – your script can’t be so one of a kind that your Chinese investors have no easy comparables. It’s the old cliché – it’s got to be the same yet different.


4. CO-PRODUCTIONS: SAME BUT DIFFERENT

 My own take. As Rob said, action films are always in demand. Sci-fi and comedies (Chinese comedies and that’s tricky for an American writer to pull off) can work. However, I myself stick with action. But in my scripts – the lead is female. What works for me is to follow the rule when it comes to the story – “The same but different”.  The quote “same” for me is action films and the quote “different” part is – my action films are female-led and unlike most action films – my target audience – is women. The same but different.
Related content:

The Asia-Hollywood Greenlight Podcast – Episode 14

Robert Cain, China Expert, Pacific Bridge Pictures

ShowNotes

Host: Caryn McCann

Twitter: @AHGreenLight  https://twitter.com/AHGreenLight

LinkedIn: https://www.linkedin.com/in/caryn-mccann-5718058/

Guest: Robert Cain, Business Strategy & Finance, Media, China specialist

Website: https://chinafilmbiz.com

Forbes:    https://www.forbes.com/sites/robcain/#21774f637230

Email:      rob@pacificbridgepics.com

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